Artwork

A painting of a Native American man standing in the forefront. He looks directly ahead, wearing an orange button-down shirt, dark jacket, and beaded earrings. Behind him stands a teepee, small brush, and a horse. A rolling green hill is in the background.

Allan Houser
tempera on canvas, 1940

The Apache Kid

The Apache Kid has special meaning to the Houser family. This painting is based on an old black-and-white photograph in Allan’s collection of the Apache Kid, a real person. He was born around 1860, a member of the Aravaipa Apache Band. He grew up in a mining camp close to the San Carlos reservation, working various jobs and earning his future name, “the Apache Kid.” He later became a scout in the US Army. After his father was killed, he, along with several other scouts, exacted revenge. They were AWOL for a few days and when they decided to come in, armed Apaches surrounded them and a shooting fracas began. The Kid was sentenced to seven years in prison. En route to the prison, he escaped into the mountains. He was blamed for every crime committed in the territory. Allan never sold this painting; he kept it, usually hung in the living room. Loan courtesy of Mrs. Anna Marie Houser


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A simple drawing of Houser in later years, wearing a hat and standing with one hand resting on an unknown shape.

Bob Haozous
drawing, pen and ink on paper, 2001

Sketch of Allan Houser

Created by Bob Haozous, this pen-and-ink drawing of his father was exhibited at the Winter Olympics at Salt Lake City, Utah, in 2002. Loan courtesy of the Allan Houser Foundation

Watercolors

These watercolors by Allan are untitled. During the 1950s, Allan and his family moved to Brigham City, Utah, where Allan taught art at the Intermountain Indian School. During this time he experimented in watercolors and oils as well as illustrating several children’s books. Of the seven watercolors featured in this exhibit, the majority of them are landscape themes, especially the western states of Utah and New Mexico. The two watercolors that feature horses are a reminder of Houser’s early life growing up on the family farm in which horses were a daily part of the landscape. His work in watercolor spanned nearly a decade.


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A watercolor landscape with large billowing rainclouds over the desert-like scene with minimal vegetation.

Watercolors 1

Allan Houser
watercolor on paper, 1950s

A few bushes grow in a desert with dark blue clouds that resemble water in the sky.

Watercolors 2

Allan Houser
watercolor on paper, 1950s

A stark landscape with a curving leafless tree and a large, tall rock formation in the distance. The sky is a brooding deep brown to light orange color.

Watercolors 3

Allan Houser
watercolor on paper, 1950s

Two horses stand in front of a bush. They are facing in opposite directions.

Watercolors 4

Allan Houser
watercolor on paper, 1950s

Two brown horses face the same direction in a sparse landscape. Their manes blow in the breeze.

Watercolors 5

Allan Houser
watercolor on paper, 1950s

Deer and turkeys in a grassy landscape with trees and valleys. The sky is a swirl of orange.

Watercolors 6

Allan Houser
watercolor on paper, 1950s

Large formations and buttes stand in the distance beyond a tree with green leaves and scrub brush. The sky is light, with subtle pink and blue waves.

Watercolors 7

Allan Houser
watercolor on paper, 1950s