Child Labor in Oklahoma: The Photographs of Lewis Hine, 1916–1917

Documentary Photography

Documentary photography was an important tool for Lewis Hine not only to generate social change; it also served as a form of art. Hine was able to capture the real life struggles of child laborers while also evoking emotion and sympathy for his subjects as works of art. Lewis Hine scholar Judith Gutman said his “sympathy for the homeless, downtrodden, and the abused, roused the conscience of the Nation.” Could this have been accomplished without the compassion of the photographer, armed with the knowledge of how to take a great photograph?

Photography, because of its mechanical nature, lends itself to documenting the world as it is. For many, that is its sole function; however, the person behind the lens maneuvers and positions the camera, and it is that person alone who sees and translates what we see in the final image. It was Hine's vision that produced the photographic documents in such a way that would move people to action. A camera could not do that on its own.

Three young boys stand outside a store front holding newspapers. Their clothes are worn and tattered. Boxes of cigars are seen through the store window. A large bulky bag lays at the feet of one of the boys.

1506 S. Robinson St. Onem said: "I never have been in school in my life but I got a pretty good education - sellin papers." Been selling here 6 months. These boys are truants who were photographed during school hours. Location: Oklahoma City, Oklahoma.